EVA BLAISDELL

Eva Blaisdell, globally known as Lady Rocket, is creating new sources of wealth connected to the Space Economy — uniting rockets, blockchain, architecture, real estate, art, fashion and entertainment.

Before entering the commercial space sector, Lady Rocket built an exceptional career in Silicon Valley, New York and Europe, becoming one of the early women executives to hold senior leadership positions in global technology. Her experience includes helping lead the international expansion of Fortune-ranked corporations, including HP-Compaq, and working with governments, investors and industry leaders across the United States and Europe.

She was also among the first investors to recognize that fintech and blockchain could open space to private ownership and entirely new financial markets. Together with her son, blockchain pioneer Grant Blaisdell, she co-founded Copernic Space — the financial and commercial infrastructure for Real-World Space Assets.

Together, Lady Rocket and Grant have already co-funded and commercialized two lunar missions, delivering thousands of cultural, artistic and digital assets to the Moon and demonstrating that space assets can be financed, owned, authenticated and traded. They also created a historic connection between the Paris Olympics and the Moon, carrying the spirit, culture and artistic legacy of the Games beyond Earth.

Lady Rocket is an accomplished art collector who has transformed art from something displayed on Earth into a mission-linked asset with lunar provenance, cultural importance and potential financial value. Her international relationships across art, luxury, fashion, media, technology and philanthropy allow her to bring entirely new participants into the Space Economy.

Now, Lady Rocket and Grant are introducing a new function — and a new financial value — behind architecture and real estate. Through the development of Space Economic Zones in California and Sardinia, they are positioning buildings, hospitality, innovation centers, entertainment destinations and spaceport-adjacent developments as productive Space Assets connected to missions, data, commerce, tourism and investment.

She is also building a private rocket portfolio and preparing to launch two Lady Rocket missions from Europe. Each rocket is envisioned not merely as transportation, but as a branded financial, cultural and media platform — capable of carrying valuable cargo, generating commercial rights and creating a new category of collectible space wealth.

With her unmistakable blue hair, bold fashion identity and commanding personality, Lady Rocket is bringing this journey to global audiences through fashion, film and a reality series documenting the creation of private rockets, Moon-bound assets, Space Economic Zones and the rise of a new generation of space wealth.

Lady Rocket is not simply entering the Space Economy. She is defining its culture, designing its destinations and creating the assets through which the new space elite can participate, invest and build a legacy beyond Earth.

Lady Rocket is deliberately not an engineering company. Mission, asset and marketplace infrastructure is provided through Copernic Space. Lady Rocket curates meaning, provenance and participation — the human layer of the frontier.

Her philanthropic work is carried through the Lady Rocket Foundation, and her son, Grant Blaisdell, represents the next-generation continuity of the same idea.